Two flats. Another horn-section favorite, and on guitar a capo 1 with A shapes or capo 3 with G shapes does the job.
| Chord | Number | Roman |
|---|---|---|
| B♭ | 1 | I |
| Cm | 2m | ii |
| Dm | 3m | iii |
| E♭ | 4 | IV |
| F | 5 | V |
| Gm | 6m | vi |
| Adim | 7° | vii° |
The 1, 4 and 5 (B♭, E♭, F) are the backbone. Add the 6m (Gm) and you can play most of what's on the radio. The 7° (Adim) mostly shows up as a passing chord, so don't lose sleep over it.
Those numbers are the Nashville number system. Learn the progression as numbers once and it works in every key.
Capo 1, play A shapes; capo 3, play G shapes; capo 6, play E shapes.
The capo chart has every key, and the transpose chart moves a song somewhere else entirely.
Songs that leave B♭ usually go to its 4 or 5: key of E♭ or key of F. Or see every key.
Chartless listens to whatever is playing and shows the key, the chords and the numbers live, so you can check a recording against this page while it plays. How to find the key by ear if you'd rather do it yourself.